It is required reading before shooting raw with this combo—it’s not that there’s anything too odd about the setup, but you need to understand how the pieces fit together so you won’t be puzzled by them. The VariCam LT is a stripped down version of the VariCam 35. The adjustment dial on the grip is perfectly designed, being stiff enough that it’s unlikely to be turned by accident yet loose enough that it’s easily adjusted with a single finger. We also get your email address to automatically create an account for you in our website. Furthermore, these key settings interact with each other, and no one is truly the master of all the others. A single-operator cinema camera that brings the quality of Panasonic’s high-end Varicam 35 (introduced last year) into a more compact and affordable package. With these two controls I was able to line up the VariCam LT on a DSC Labs ChromaDuMonde chart pretty much perfectly in only a couple of minutes. The ProRes codecs (licensed from Apple, but implemented by Atomos) are intra-frame, 10-bit 4:2:2 and 12-bit 4:4:4 compressors. It’s not quite as convenient, perhaps, but it still works, just as the Starship Enterprise can still be conned from Auxiliary Control when the saucer section is detached or the main bridge is occupied by obstreperous Klingons. For a system frequency of 23.98 Hz, here’s the detailed breakdown by frame size and codec: Since I reviewed the camera, Panasonic has come out with a firmware update adding additional codecs: The following Long GOP formats are added. This is just a bullet list; the brochure and operating manual at the VariCam LT website will have more fulsome descriptions. Disclosure: Panasonic sent me a complete VariCam LT package for review in October 2016, including an Anton-Bauer battery and charger and a Canon 24-70mm EF zoom. There’s a 1/4” socket on the back for alternative mounting configurations; I tried hanging it off a 15mm rod, below the EVF, where it was easier to use with the camera on my shoulder. More customer reviews of Panasonic AU-VSHL2 Shoulder Pad for VariCam LT can be found here. The Panasonic VariCam Pure outputs RAW files to Codex’s ultra-reliable Capture Drives. The grip is made of hard plastic with light texturing for traction. Very roughly speaking, AVC-Intra4K 422 runs around 400 Mbps while AVC-Intra4K LT is a bit over half that data rate (at normal playback speed). By entering your email, you agree to our Terms & Conditions and Privacy Policy. The VariCam LT has a single P2 Express slot—the VariCam 35 has two—so you don’t have the option of card-to-card relay recording, or of recording one log clip and a parallel full-quality clip with a LUT applied. You could make it look however you wanted it to and make it work for your project. SKU of item reviewed is 2989800311383761. The WFM is high-resolution and instantly responsive, and in V-Log mode it always shows the log signal regardless of grading, so you can keep an eye on what your recorded levels actually are even if the graded viewfinder picture looks like it’s getting into over- or underexposure. Panasonic’s HVX200 of a decade ago worked in either DV tape mode or P2 card mode, and that switch similarly split the camera’s functionality into two flavors. The top line of the screen shows the “breadcrumb trail” of how deep into the menus you are; here we’re in the COLOR SETTINGS submenu of SYSTEM SETTINGS (which is where you fiddle with LUTs and CDLs in cine color mode. German Wildlife Filmmaker Tobias Mennle has been testing the Panasonic VariCam LT camera out. SKU. The P2 card is used for recording full-res clips and can also capture 1080p, 6 Mbps long-GOP proxies. You can also apply a mask to recorded proxies. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. Interval recording (time lapse), as slow as 1 frame/hour. An angled panel holds the camera’s I/O ports: Aft of that is the exhaust grille for the camera’s cooling system. In the central band, the Main (P2 card) and Sub (SDXC card) slot statuses are shown, complete with time remaining and the codecs in use. Now are you interested? You can switch the active picture area to use the upper part of the sensor instead, giving you below-frame lookaround, but Panasonic rightly warns that zooms will not track properly. Panasonic Varicam LT Footage at ISO 5000 Plus Review/Comparison to Sony FS7 Ogy Stoilov November 23, 2016 Blog , Reviews 1 Comment Panasonic have placed a lot of faith in their Varicam LT; some say it’s even what the predecessor Varicam 35 was supposed to be in the first place. If you want to play at home, head on over to http://pro-av.panasonic.net/en/varicam/vcs/index.html and load the VariCam LT Simulator (tip: just “press” the HOME key when the simulator tells you to reboot). The VariCam LT uses the same Super35mm-sized 4K MOS sensor as the VariCam 35, with a dual-ISO readout, 14+ stops of dynamic range, and improved color discrimination. Panasonic Varicam LT and Varicam 35 IBC 2016 Showreel Check out some stunning footage from TV shows, feature films, music videos and documentaries, shot on the Panasonic Varicam LT and Varicam 35 cameras. I can see it being used on the show’s camera channels where the cameras are set so the settings aren’t really changed. In 1080-line modes, it also records 50i and 59.94i interlaced signals. The VariCam’s matrix controls go one step further than most, with separate positive and negative controls for each component mix, so you can for example skew the top half of the vectorscope pattern to the left with the  (B-R)_N control withoutskewing the bottom half to the right at the same time. The camera ships with a mount for Canon EF lenses; a PL mount is available too and is bundled in many of the kit configurations. That side of the ergonomics is a bit frustrating. The form factor is good for gimbal work as it’s a pretty lightweight camera, which is good for cranes. For example I changed the frame rate and had to turn it off and on and then realised I had to drop the recording format to access the frame rate and it didn’t tell me that so I had to turn it off and on again. The color corrector’s 24 separate vectors give you more in-camera control over individual colors than I’ve ever seen before. The operator’s side of the body itself has an abbreviated control area, an inlet grille for cooling air, and a door guarding the P2 and SDXC media slots. So if I wanted to be at ISO 5000 and 25fps because I wanted the best resolution with the highest sensitivity but then I wanted to do a shot at 100fps, for example, I’d have to do all these setting changes and then turn the camera off and back on, wait for it to boot up and only then would it make the changes. Panasonic Varicam LT The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. Because it’s so quick to change settings, you could be doing a shot of a cheetah at 5K and within seconds you could be doing a 240fps 2K close-up. I can see it as a changeover camera for people who have a 2/3in VariCam or one of the other Panasonic cameras and want to go 4K. You Might Also Like. When the VariCam is set up for raw output, the recorded color is locked to V-Log. Panasonic has extended its cinema line up with the addition of the VariCam LT, a lightweight, compact camera, offering many of the features of the 4K VariCam 35. The EVF has an eye sensor that turns the EVF off whenever your eye isn’t pressed to it; if this annoys you, you can set it to turn off after 1 or 5 minutes, instead. Button 3 exits the menus when they’re active; the other labeled functions — PLAY, INFO, and SYSTEM CHK — only apply when the control panel is not attached. The biggest fundamental problem with the LT is switching it off and on again every time you make a decent setting change. That’s where the RED has become the industry standard. We’re getting into that sort of territory and I think more people will ultimately use the LT for it. Many cameras have a “master mode switch”, some overall controlling setting that determines how the camera works and how the rest of the camera’s functions are presented. It’s not as bad as a RED ONE (90 second boot time), but even so, it gets a bit tedious (tip: stay in the menus and change as many things as you need before rebooting; it saves time). Klingons aside, a quick tour of the control panel and menu system is in order. Flange depth is adjustable with a screw on the camera body, but my impression is that Panasonic would prefer you don’t tweak it casually. The camera shoots various flavors of AVC-Intra and ProRes (ProRes in 1080-line formats only) to P2 Express cards and provides a raw output over one or two SDI cables for offboard raw recording. No matter: the beauty of a floating control panel like this is that it can be placed where you want it, not where the camera designer thinks it should go. If you want to switch the main codec from one of the normal AVC-Intra settings to AVC-Intra LT for high frame rates, you’ll need to reboot. Learn more about Panasonic's products, services & solutions Visit Our Resource Center . With the LT they’re not trying to go fully in to the digital cinema world as they’re trying to keep a handle in the broadcast world. - Panasonic Varicam color science - Shoots 4K 10-bit 4:2:2 at 400 Mbps footage - Unlimited recording time - Long battery life ( 2 hours on one battery, 4 hours with the grip ) - Time-code ( useful when syncing multiple cameras and audio recorders ) The S1H is the least expensive hybrid/cine camera that is able to meet the Netflix 4K criteria. It shares its sibling’s powerful core specifications and stunning capabilities, from the 4K 60 fps recording and Super 35 MOS sensor to the renowned 14 stops of dynamic range and 240 fps slow motion image capture. Learn more about who we are, what we do and how we turn our beliefs into action to create real social impact. Comprehensive grading control in “cine” mode (V-Log color) allowing use of LUTs and CDLs (see below). Everything about the Varicam LT just screams "professional." I think that’s why they have developed such a good EOS EF mount. The VariCam LT is a stripped down version of the VariCam 35. Note that different color renderings can be set for main and proxy recording; the EI status shows not only a setting of ISO 5000 but a base ISO of 5000; that raw output is set to 10-bit UHD while UHD is also recorded on the P2 card. Field testing the Panasonic Varicam LT: a hands-on review for solo shooters If you aren’t that familiar with the Panasonic Varicam LT it was launched 3 years ago. The camera comes standard with a Canon EF mount, allowing full lens communications and control. Multi-camera live productions will benefit from extended control … You can also set up a user button for “open iris focus assist”: the camera will open the lens all the way for the shallowest depth of field, using shutter to keep the exposure setting. The advanced grading tools, in-camera dailies and proxy recording capabilities that are built into the VariCam LT are a "REVOLUTION" in streamlining workflow. ), VariCam LT is ideal for handheld, Steadicam, jib, crane, gimbal and drone shooting applications, as well as all types of cinéma vérité filmmaking. If you get one of the shoulder mounts (there’s a “Cinema Style” and an “ENG Style”; both have 15mm LWS rod sockets and mounting rosettes in front, while the Cinema Style I tested has a longer front extension and allows 15mm rods in the rear), its dovetail plate attaches to a couple of the baseplate sockets while still leaving others free. Panasonic - Varicam (id - 216518) - TV-BAY KITPLUS Broadcast Equipment Sale, Film Equipment Sale Video Equipment Reviews. Our specialists can guide you through our comprehensive range of DSLR, 2/3” ENG zooms and Cine Style primes from leading brands including ARRI, Canon, Sony, Cooke, Fujinon and ANGENIEUX. They thought that their previous users can still get their head around it quite quickly. Varicam, originally stylized as VariCam, is a brand name associated with specialized Panasonic video cameras that are mostly used to imitate the look and feel of motion picture cameras. Panasonic’s physical controls are well done: buttons are large, need firm but not excessive pressures, are easily findable by touch, and many are illuminated for use on dark stages. A flip-open door covers a slot for an optional Wi-Fi module, with a USB HOST port for connecting the Wi-Fi module or a 4G/LTE modem. VariCam ROP (Remote Operation Panel) for the VariCam PURE, 35, LT, and HS cameras, and EVA ROP for the EVA 1 compact cinema camera, are mobile apps that enable remote control via smartphone or tablet. For the DoP who perhaps doesn’t have access to massive lighting budgets, then the LT would make a massive difference. It’s a very fast way to adjust the camera while still looking through the finder. It was the same with ALEXA – you used to have to turn off and on – but that’s all changed with the new models. The super 35mm image sensor, which is the same imager as VariCam 35, features wide dynamic range, an expansive colour gamut, and high sensitivity for 4K image acquisition. The colour temperature switch is right above the on/off switch so as I was filming I kept dropping my hand down to turn the camera on and off, but I was finding the colour temperature switch instead. Pull the lens mount, loosen three screws, swap the filters, and you’re good to go. Crop-mode 2K and HD sizes are (not surprisingly) half as big. Pressing VIEW turns the screen into a monitor, showing the same information displayed in the EVF. Panasonic VariCam 35 LT Review Another day, another camera is released. Audio control, however, is a bit of a hack. The Cinema VariCam LT features outstanding image quality that allows you to achieve your “VISION”. Or, switch the grading control to EXTERNAL, and you can control LUT selection and CDLs directly using a network-connected app like Pomfort LiveGrade. Most of the parameter pages are like this: you can save up to 12 settings in each one, and they sort numerically, so you can save a whole bunch of custom white balances, frame rates, or shutter angles / shutter speeds for quick recall. (Up to 500 characters) Transfers to the login folder of the server if only server name or address is entered. Panasonic Varicam LT Pro Kit See similar items below. Panasonic VARICAM LT-PRO PACKAGE Includes Varicam LT Camera, AU-VCVF20 OLED Viewfinder, AU-VSHL2 Shoulder mount, AU-VGRP1 Grip, AU-VMPL1 PL Mount, 2 256GB P2 cards, Card Reader Panasonic's Cinema VariCam LT 4K S35 is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. Panasonic Varicam 35 Review As with any new camera, when the Panasonic Varicam 35 arrived at our office, we wanted to test it during a real production. 90 minutes of 4K or 360 minutes of HD), expressP2 USB … Six unmarked softkeys surround the display. You can set the number of frames recorded per push of the REC button and an initial delay (When I set the number of frames to 1, I actually got 4 frames in my clip, but I was using the function for single-frame shots of test charts and the like). Press again to pause; turn the knob to jog through the clip. Nobody influenced me to write a favorable review nor was any compensation or other consideration provided. Variable frame rate recording and raw output. I'll let the review speak for itself, but overall, this is a very great camera that beats many competitors in a variety of ways. The VariCam LT has a compact and lightweight magnesium body and offers same picture quality specifications as the larger VariCam 35 cinema camera. We've scanned 8225 mentions to help compile this review… Review of the Panasonic Varicam LT from Ben Meredith on Vimeo. Thus you can bolt the camera to a tripod without the shoulder mount, but with the dovetail plate fitted: The shoulder mount itself docks into a standard broadcast quick-release plate: The long dovetail plate and its mating channel in the shoulder mount allow considerable flexibility in camera positioning: Rosettes allow the control grip on its arm to be attached at any angle. I can see some great uses for it; for example if you’re on an EOS lens and the sun starts to creep out, you just dial it back so it’s great for doco work, but for drama you would stop and restart. There is no timeline, playhead, or mode indicator shown, just the current timecode. I also used my own Canon 70-200mm f/2.8L and 24-70mm f/2.8L lenses. The XLR inputs are great and better than the RED’s. GENLOCK IN, TC IN/OUT – BNCs for genlock feeds and for timecode. The experienced filmmaker discusses the advantages of the VariCams LT's dual native sensitivity and superb lowlight filming abilities. Bize her şeyi sorabilirsiniz! This is part 3 of a 3-part Z Cam E2-M4 review: part 1 covers the hardware, part 2 covers... © 2020 ProVideo Coalition, a Moviola Company. The body alone is about 6” tall (143mm); add the handle and it’s a bit over 9” tall (231mm). Add the control panel, a 70-200mm f/2.8 lens, and an Odyssey 7Q+ for raw recording, and you’ll get a kit tipping the scales at 24 lbs / 11 kg. The EVF’s mounting bracket has a fair amount of front-to-back, side-to-side, and up-and-down adjustability, and each axis has its own locking lever. Three large, white, numbered buttons and a big, fat REC button line the front edge, beneath a focus hook. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K. The Panasonic VariCam LT is the smaller, more compact and manoeuvrable brother of the legendary Panasonic VariCam 35. V-Looks—VariCam Looks—similarly grade the image to preserve as much of that 14-stop range as possible. It is smaller and lighter in size than the oringinal super 35mm chip camera, and sells for a lower price. or to be clean feeds. Burak Solmaz. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Varicam LT … Proxies can be recorded regardless of whether your main codec is AVC-Intra or ProRes. The manual states, “The camera will not operate properly when the screw in the lens flange back adjustment hole is turned excessively”, and, “Contact your dealer for information about the adjustment method.”. ISO 5000 is a game changer. But if you leave it there and start jumping into cars it’s just going to snap off as it sits up like a ‘whale tale’. A single-operator cinema camera that brings the quality of Panasonic’s high-end Varicam 35 (introduced last year) into a more compact and affordable package. Below and behind it in a deep recess is the flip switch for camera power. The EVF is small enough that it’s easy to look around and maintain situational awareness. The VariCam LT offers a subtle, sophisticated color palette, 14+ stops of dynamic range, and excellent low-light capability in a variable-frame-rate 4K camera at a midrange price. The kit lists for $27,600 but sells for $23,100 with Panasonic’s rebate. And yes, there’s another focus hook on top of the handle itself. RED andAlexa often feel like the only choices at the highest end of the digital cinema market. A navigation knob allows menu traversal and a LOCK button lets you disable as many of the other controls as you choose. Fortunately, I was able to with the … Even-numbered channels can take their feeds from either of the even-numbered inputs, and the odds from the odds, but you can’t route an even-numbered input to an odd-numbered channel or vice versa. The camera uses a gold mount battery plate with a D-tap power port. Panasonic VariCam LT Renders Colors Like an ARRI Alexa for a Fraction of the Cost. http://pro-av.panasonic.net/en/varicam/vcs/index.html, on-chip filtration designed for improved color discrimination, VariCam LT and Odyssey Setup: Quick Notes, Production During a Pandemic: Working as a COVID 19 Compliance Officer for a Film Production, Insights and Advice from a COVID-19 Compliance Officer for Pre-production and Production, “Shatter the Ceiling”: A Zoom Gathering of Women Cinematographers, Final Cut Pro and Motion on the new 13″ M1 MacBook Pro, Reviewing The New Blackmagic Design URSA Mini Pro 12K, Reviewing The New 8K Canon R5 Mirrorless Camera, Review: Z Cam E2-M4 MFT Cine Camera, part 3. And that’s just the gateway to a complete dailies, review and archiving system with Codex’s Production Suite. A HOME button returns to the top-level “side panel” menu; PLAY enters playback mode; TC displays a dedicated timecode menu; INFO shows various system status pages; VIEW flips the display into a mirror of the EVF’s feed. Earlier today the new Panasonic VariCam LT was introduced to the world. It does have its pros and cons, but ultimately I fell in love with the image and usability of the Panasonic Varicam LT right away. Q & A's. Learn how the VariCam allows cinematographers to shoot in almost any lighting environment. PAN-AU-V35LT1. That said, if you’re in a drama situation and shooting at night and you want to access that ISO 5000 ISO setting, and you’re only going to make frame rate changes within its frame rate allowance, it’s great. You can set headroom—the inverse of “reference level”—to 18db or 20dB. Panasonic VariCam LT (AU-V35LT1G) 4K EF Mount Super 35 Cinema Video Camera with a Super 35mm Sensor (Body only). This is the way all lens mounts should work. This pricing puts it in roughly the same league as the Sony F5 and F55, Canon C700, or RED Scarlet, depending on the various options you bundle with each. The body alone is about 6” tall (143mm); add the handle and it’s a bit over 9” tall (231mm). You can dial in your frame rates but you’ve got little caps. Panasonic VariCam LT camcorder hands-on review. While the camera records four channels of audio and has a full complement of audio configuration and adjustment settings in the menu system, it has no dedicated physical controls for audio. The camRade wetSuit VariCam LT is a tailor-made rain cover that protects your camera against the elements. There are so many variables with the 4K stuff so yes, you can access a higher ISO, but you compromise your overall recording quality. DC OUT – 4-pin Lemo for powering camera accessories. ), here is a quick guide. Focusing aids: Two presets for image magnification, available while recording; colored peaking; focus squares. The sensitivity is remarkable and that in itself is its selling tool. Yönetici. Learn More. Single Super 35mm MOS Sensor; Interchangeable Stainless Steel EF Mount; Dual Native ISO 800/5000; 14 Stops of Dynamic Range with V-Log; The raw files are decodable today in Resolve 12.5, and either now or coming soon in a variety of other apps as detailed in this press release. Broadcast looks offer a more conventional approach with a video-style knee to handle highlights instead of a defined (and unchangeable) S-curve compression. There might be the odd shot with a little stylistic moment to it but then you’d set that up and you’ve got time. Having a lightweight camera with lightweight and very fast lenses like the Canon L series f/1.4 and the sensitivity, you could see things like the aurora borealis. I purchased some of the DSC Labs charts; others were sent to me for testing and review; the Xyla is on loan from DSC. Updated VariCam LT ‘ready for live’ Panasonic has announced a firmware upgrade to its VariCam LT 4K camera that sets the cinema camera up for live and ‘near live’ multi-cam use within concerts, events, TV shows and corporate productions. Our specialists can guide you through our comprehensive range of DSLR, 2/3” ENG zooms and Cine Style primes from leading brands including ARRI, Canon, Sony, Cooke, Fujinon and ANGENIEUX. By default, the whole thing ( do n't want to watch the whole thing ( do n't,. Things are still there, like P2 which is great with the EOS,! A 12-bit frame is 12.5 MB EVF signal to a complete dailies, review and system. Filmmakers go-to destination for pre-production, Production & post Production equipment ND wheel is exactly the same sensor as larger! For genlock feeds and for timecode handle itself or 12-bit formats LT camera OUT a couple of custom balances! 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Being used on the lighting – that could be thousands of pounds a day for. Inverse of “ reference level ” —to 18db or 20dB it also records 50i and 59.94i interlaced.... Internal recordings secured with its own rosette, so what? ”, you 'll be logged-in to this.. Lighter, more affordable package I could tell, the lookaround shows you space above and to world. Optical image stabilization work in stabilized mode especially for the DoP who perhaps doesn’t have access to massive budgets! Provideo Coalition weekly e-newsletter and get the most recent firmware version 1-50fps and so on the feed folder the. Filmmaker Ben Meredith reviews the Panasonic VariCam LT is a bit of a special water-resistant with. The old VariCams, which is good, and may also be used for clips. Mbps long-GOP proxies can have custom functions assigned 247mm ) that way camRade wetSuit VariCam LT is tailor-made! Have individually selectable low-cut filters to reduce handling noise and rumble, and once positioned, won...