LCD monitor brings touch-panel convenience and allows flexible mounting. The camera has a built in mechanical ND filter with a range of ¼ to 1/64. Additionally, the increased color information results in a finer, more accurate finished image. $150. Sometimes there may be multiple people but they don’t all want to see the same thing. Depending on the type of work you do, EVA1 answers a lot of different needs. And many modern cinema lenses are available with interchangeable mounts. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. LCD monitor brings touch-panel convenience and … A key feature of the VariCam cameras, Dual Native ISO utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. AU-EVA1 5.7K Super 35 Handheld Cinema Camera, Weighing only 2.6 lbs. An example of how this flexibility can be used would be an EVA1 recording in V-Log for post color grading; the camera LCD displaying the 709 monitoring correction with a waveform monitor exposure tool in the corner of the frame showing the V-Log levels for comparison and the on screen display data showing lens and color temperature info; the SDI output in 4K 10-bit 422 in V-Log with no data displayed going to a video recorder, and the HDMI output sending HD video with the monitoring correction applied and the clip name and timecode displayed feeding a video transmitter for a script supervisor and director to view. Description. Visit us at any one of our upcoming events, contact your local Authorized Panasonic Reseller, rent it from your preferred rental company, or request a personalized demo from one of our cinema camera experts. The XLR jacks are in the back of the camera behind the handgrip mount and are angled slightly so that connected cables will point away from the camera. ProRes RAW is a new recording format and Panasonic is proud to be the premiere camera manufacturer associated with it. EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. The EVA1 uses its 6G SDI output to send RAW data to a separate recorder. EVA1 is designed to be used in a variety of situations for a variety of clients. Another way of using Dual Native ISO is the ability to lower your light levels. This means there’s a greater level of play when the images are put through post-production. Shooters put up with the workarounds because these small cameras are so convenient to shoot with. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. Panasonic have certainly done their homework and come up with a camera that, on paper at least, ticks a lot of boxes. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. © 2020 Panasonic Corporation of North America. The EVA1 sensor has 17.25 million active photosites in Super-35. Panasonic AU-EVA1 4K New 5.7K Sensor. V-Log delivers a very flat image while maintaining all of the color information within the image. We have a full-fledged camera that’s designed for video production. Weight Body: Approx. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. These recorders can also take the RAW signals, process them into video and record traditional ProRes or DNx video files. Panasonic au-eva1 compact 5. Second, there’s more color information. With small DSLR cameras, you can’t comfortably change things as you’re rolling in a run-and-gun style and that’s a problem – you need to be able to adjust on the fly. For several modes the EVA1 offers recording options in both All-I and LongGOP codecs. That’s just one scenario but there are lots of possibilities and for other cameras this level of flexibility would require a small cart of boxes and converters. That’s a lot of information to process so fast, so at some frame rate and resolution combinations the EVA1 does some clever tricks. Its appearance was initially mysterious. The camera can record two tracks of audio and it features a pair of XLR audio inputs. Craigslist has listings for weight in electronics in the Chicago area. What are the monitoring options on the EVA1? Cinematic Run & Gun. We even added an option after release. In addition, we have proper connectors – real XLR audio inputs, full-size HDMI and locking SDI connectors for video outputs. Most EF lenses have electronic features of which the EVA1 can take advantage, such as iris control, optical image stabilization, one-push auto focus, and on some lenses even a motorized zoom and a record trigger. It is designed to be a versatile machine that you can plug into a lot of different situations. Final Thoughts and Recommendation The Panasonic AU-EVA1 is a lightweight Super 35mm-based camera that features a 5.7K sensor, dual ISO, a timecode port, and a host of other features that make it a serious digital cinema camera to consider in the sub $10,000 space. Firmware upgrade Ver. Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … A variety of accessories are available for the EVA1 to help meet your camera configuration needs. Panasonic AU-EVA1 - Compact 5.7K Super 35mm EF-Mount Cinema Camera The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. A Panasonic representative will contact you. 7K super 35mm cinema Camera (No lens) is a flexible camera system ready for documentary, cinema, and live event production. It captures the full range of exposure and color for later manipulation. There are two video outputs, an HDMI and an SDI, and both are capable of 4K and always active even when recording. Besides PANASONIC?AU EVA1 dynamic range capabilities, the camera also features various recording formats. If “BACKUP BATT EMPTY” is displayed on the LCD monitor, the built-in battery is exhausted. Browse photos and search by condition, price, and more. You can also do that on the EVA1, but if you just switch between the two native ISOs, they’ll look the same as far as the amount of noise. Hands on with the EVA1: Image Stabilization. EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. Panasonic has tested many models of EF lenses and published a compatibility chart for their use on the EVA1 (https://pro-av.panasonic.net/en/eva1/lens/). By doing this, EVA1 can shoot at 2K or HD and retain the full Super-35mm field of view of the sensor up to 120 fps and record in a 10-bit 422 codec. Third, the EVA1 has can be switched to RAW data output from the camera to a separate recorder. I had a couple of weeks with the camera in addition to attending Panasonic demos and will share some impressions. With its compact size and a new 5.7K sensor, the EVA1 is positioned between the VariCam LT and the LUMIX S1H, making it ideal for a variety of filmmaking applications and cinema-style acquisition. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. All the EVA1 RAW formats are supported, 5.7K up to 30p, 4K up to 60p, and 2K up to 240p. All of the heads-up data such as frame rate and lens settings can be individually switched on/off and assist functions such as focus, framing and exposure aids can be customized and switched on/off at will. With a body weight of just 1.2 kg (2.6 lb. Without any of the accessories the camera weighs in at 1.2kg (2.6 lb), that’s only 475g (0.93lb) heavier than a GH5 with battery and memory card. ProRes RAW is a compressed form of RAW and is currently available in two compression levels, ProRes RAW HQ is 3:1 and ProRes RAW is 4:1. More information can be extracted without degrading the image. What are the RAW capabilities of the EVA1? This allows proper live adjustment of levels while shooting without cluttering the camera’s control surface. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. For users of higher-level production machines, we’ve tried to be judicious in keeping as much professional functionality as possible into a compact form factor. If shooting in V-Log, the image can be displayed with or without a Rec709 monitoring correction, but the exposure tools will always display the Log levels to allow for quick comparisons. The EVA1 shoots up to 5.7K on its super35 image sensor for $6,500. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. And if you want the option to output RAW, the EVA1 is the only camera to offer 5.7K, 4K and 2K with a frame rate up to 240fps. It’s essentially a different way of reading the camera sensor and it gives it two different native ISOs or sensitivities. Short film Radio 88, shot by cinematographer Johnny Derango on the EVA1. What are some of the specific features EVA1 gives you that a compact DSLR or mirrorless camera won’t? In shooting with lower light levels, you will save money, time, and you can shoot with more practical lights in your surroundings. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). In education, corporate communication, press conferences and seminars, House of Worship, social media outreach, and new content delivery over Facebook, YouTube and other streaming providers, live multi-camera production is on the rise. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. Broadcast, Cinema & Pro Video Accessories. The larger body size of the camera, the design of the interface, and where the LCD is located all give you better access to the controls to make adjustments while rolling. At 5.7K resolution, you have more individual examples of red, green, and blue – all of which enrich the resulting image in whatever resolution you choose to record. And instead of cropping in the image to a tiny rectangle in the center of the sensor, the crop to get to the highest framerates is still about 80% that of the full Super-35 sensor. Fast forward to February 2019, and I'm on my way to Australia to film a short commercial for Panasonic and the EVA1. It’s very convenient for that style of shooting. Internal 4:2:2 10-bit in 4K DCI, UHD, and full HD. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. They’re of comparable quality, it’s really a question of workflow options. You have a filter wheel that is built into the camera, so you can adjust exposure as you roll – you don’t have to stop and screw on a filter in front of the lens. In addition, there will be people who will want to rig the camera for specific types of remote work, meaning mounting the camera out on a crane, or jib arm. The specs of the camera on paper are fantastic: RAW to a recorder; the popular AVC implementation of H.264 to SD cards; dual native ISO; 2.6lbs body only. The three monitoring outputs, the LCD, the SDI out and the HDMI out, can individually set to view in either V-Log or the “corrected” view, and User Buttons can be programmed to quickly toggle any of the outputs between the two views. When you start with more and get to less, more information comes through. EVA1 contains a Super 35 (24.60 mm x 12.97 mm) sensor that captures 5.7K resolution. By starting at a higher What we wanted to do was build a camera that could sit in-between those spaces where you could essentially rise up from the small cameras where you want more versatility and you don’t have to fight the machine sometimes. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. We were in LA for the official announcement of the Panasonic EVA1 at the Paramount theater during Cine Gear back in June, and the excitement was palpable. Canon EF 24-70mm f/2.8L II USM Lens For shoulder-mounted cinema operation, you can use the ARRI Pro Set for Panasonic EVA1.Or for a "run-and-gun" viewfinder solution, try the Zacuto EVA1 Gratical Eye Bundle.Selecting the ideal rig for your camera has never been easier, with various modular base plates, … ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). With two SD card slots, you can capture footage either with Simul Rec (simultaneous dual record) or Relay Rec (continuous record). Weighing only 2.6 lbs. There are literally hundreds of available models of EF lenses, and the sheer volume of lenses available is mind-boggling – it’s somewhere between 100 and 200 million lenses! The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160) Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. Part of the design ethos of the camera was to not only make the camera itself affordable but it had to be affordable to use. Key features include: 17.25MP Dual Sensitivity 5.7K S35 sensor. 5.7K uses the full Super-35 sensor area, 4K is a 4/3" pixel-to-pixel crop, and 2K uses the 4/3" 4K area. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. “With its small size and weight, combined with great features, the Eva1 represents the best value in its class,” said Mitch Gross, Panasonic’s cinema product manager. That means TV series shot with multiple cameras and productions shot on larger cameras like VariCams with the EVA1 as a B-Camera. Or you could slim down from a bigger camera for projects where a larger system may be too difficult to deal with or simply too expensive for the production. Weighing only 2.6 lbs. You’re also going to have people who do news shooting, as well as live event type work such as weddings and sports videography. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. (1.2 kg / body) with a compact form factor (6.69” x 5.31” x 5.23”) and a removable handgrip, With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160), Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. The result is a more finely detailed image. If others need to see the image as well the EVA1 offers great flexibility. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. Panasonic knew it and in fact the company markets our topic of interest here, the EVA1, as the camera that fills the gap. Dynamic range measures the luminance range that a digital camera can capture. Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. Are there any special financing offers available? There are three things. *Optional AJ-WM50 Wireless Module required. That can be for a high-end production or a more modest production where it can be used for savings, or a stylistic choice. You want it fully featured yet small and lightweight because the bigger your camera is, the bigger crane you would have to use, just like on a Steadicam. That’s a very far reach into bright and dark at once. Many filmmakers remain highly loyal to Panasonic but have been frustrated that the price point for the … The usability of the camera is high, and the expense is kept at a minimum. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. Bundled with the EVA1 is the AG-VBR59 battery (7.28V 5900mAh/43Wh), which should give you approximately 1 hour 30 min of continuous operating time and a charge time (with bundled dual battery charger) of approximately 3 hours 20 min. We see a lot of people shooting documentary style work with the EVA1 – talking head interviews and B-roll shots in the field. 24 hours. Professional Camera Color Matching Service & Training, EVA1 101: Shot at Hot Rod Cameras by Indie Shooter (VIDEO), Download A Guide To The Panasonic AU-EVA1 Camera by Barry Green (HTML), Best SD Card Practices by Barry Green (PDF), Frame Rates Explained by Barry Green (PDF), Low Video Noise Explained by Barry Green (PDF), RAW Recording On Shogun Inferno by Barry Green (PDF), Recording Time Explained by Barry Green (PDF), Synchronizing Timecode by Barry Green (PDF), Understanding White Balance by Barry Green (PDF), EVA-LIVE Workflows | Using EVA1 for Live Production (HTML), EVA-LIVE: Affordable Multi-Camera Live Production (HTML), Pro Video Enhanced Service & Support Brochure (PDF), AU-EVA1 Official Statement on Wooden Camera PL Mount - USA Models (PDF), Warranty Coverage Levels at a Glance (PDF), Panasonic Professional Video Standard Warranty (PDF), Panasonic Pro Protection for Professional Video (HTML), AU-EVA1 NLE Post Production Software Editing Support (HTML), Netflix Approved Camera Production Guide (HTML), LongGOP vs. All-I: AU-EVA1 Recording Formats (PDF), Live Multicam Productions with the EVA1 & SKAARHOJ (VIDEO), Winner: Cine Gear Expo Technical Award for Camera Technology (HTML), Panasonic Visual Systems Blog - Professional Video (HTML), CINELIVE at Flatirons Community Church (HTML), TEDxCambridge Goes Live And 4K Via Panasonic (HTML), Shooting "Deadliest Catch" for Discovery (HTML), School of Visual Arts New York Case Study (HTML), Seamless NDI Network Coverage with Panasonic AV-HLC100 Stream Studio (PDF), Wildlife Documentary Film Production with the EVA1 (PDF), Georgia Tech Athletics Equipped for ACC Network Broadcasts (PDF), Case Studies - Panasonic Professional Video (HTML), Panasonic Professional Imaging & Visual Systems Game Day Flyer (PDF), Panasonic Cinema Camera 2 Year 0% Financing (1H FY2019) (PDF), Special Offers & Financing - Panasonic Professional Video (HTML), Request a Demo from a Panasonic Pro Video Expert (HTML), EVA1: Questions & Answers with Mitch Gross (PDF), Portabrace Camera Carry Case for EVA1 Cinema Camera Kit, Pro Protection Premium Service & Support with Accident Coverage, Pro Protection Preferred Service & Support, AJ-P2M064BG | 64 GB V90 Class microP2 Card. 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